This month we saw the release of Kindle 3, Amazon's latest e-Reader, and so far the reviews have been pretty positive. You can watch a video demonstration here to see the new features and improvements.
Yes it has a new look and is faster than ever, but I'd say the most noticeable, and in my opinion, significant improvement would have to be the sharper contrast of the E-Ink screen. To date, practically all popular e-Readers, whether it be a Sony Reader, Nook, or Kobo, have had displays that appear grey or in the case of the Sony's, more on the greenish side due to an additional screen layer for touch functionality. But honestly, as much as the promise of E-Ink was to mimic the appearance of the printed page, none of the devices using this technology looked like the real thing. In fact, by comparison, the early days of E-Ink didn't appear that much different from that of the old Rocket-Book, one of the first e-Readers introduced in the late '90s.
Without a doubt, the brighter, clearer screen of this newest Kindle succeeds in bringing us that much closer to matching the experience of reading a physical book, but with the added conveniences only such a digital device offers. And sure enough the Sony Readers, Nooks, and Kobos will get better too (and soon!). And as they do, it should be no surprise when people rapidly embrace the improved technology and begin downloading their favorite e-Books from retailers and local libraries around the world.
But for now I think it's safe to say that Kindle is currently king and the aforementioned competitors have some real catching up to do. So why then, with the obvious challenges facing these entrenched, well-known entities, would other companies believe there'd be any interest by consumers in yet another e-Reading device? Well, for that answer you'd have to ask the likes of The Sharper Image, Aguen, Velocity, and Pandigital, just to name a few, for each has recently announced (somewhat) dedicated e-Readers of their own...but with color screens.
Here's a look:
The Literati - This device from The Sharper Image will have a 7' color LCD screen and will also be sold at retail stores like Macy's, Bed, Bath & Beyond, JC Penny, Best Buy, and more. In other words, the places where people shop everyday for the kind of electronics everyone uses like TVs, stereos, and MP3 players. The Literati is powered by the Kobo e-Bookstore. There are four video demos to watch on the official website.
The Book - Not to be confused with Vook or Nook, this e-Reader from Aguen proclaims itself as "the book" and hey, why not. What's most interesting about this device is how you can purchase e-Books from Amazon, Barnes & Noble, Borders/Kobo, and other e-Bookstores. It can be bought at stores like K-Mart, but oddly enough, I learned about it from my cable company. Here's a video review.
Cruz Reader - More multi-purpose tablet than e-Reader, this device from Velocity looks pretty interesting and a lot like a small iPad! It has a 7" color screen and the e-Bookstore is powered by Borders/Kobo. Hmmmm, anyone seeing a pattern developing? Here's an official video demo.
Novel - From Pandigital, the company mostly known for its digital picture frames, comes this multi-function device that's also iPadish, but with a 7" color screen. However, this baby is powered by Barnes & Noble's e-Bookstore, which means besides having access to 1 Million e-Books, you can also read magazines and newspapers. Watch a video review.
I must confess, I'm not quite sure what to make of either one of these digital slabs, and I just can't imagine why anybody would purchase one except out of pure curiosity.
If you're thinking of finally taking the e-Reader plunge, then my recommendation is to get the Kindle 3 if you want to own the best overall e-Reading device, the Nook if you happen to shop frequently at your local Barnes & Noble and enjoy the benefits the in-store promotion offers, or the Kobo if you don't need any tech frills like Wi-Fi or 3G connectivity and like to show support for the underdog. Though you may want to wait until November because prices will most likely drop again in time for the holiday season.
In the meantime, would you consider buying one of the new color e-Readers mentioned above instead of a model with an E-Ink screen?
Showing posts with label Vook. Show all posts
Showing posts with label Vook. Show all posts
Monday, August 30, 2010
Sunday, February 28, 2010
Enhanced e-Books: What's All the Hubbub!?
This week I attended the Tools of Change conference (TOC) in Times Square, NYC. If you're not familiar with this event, it's a gathering of publishing and technology pros who come together to discuss the current and possible future of books and reading habits. Overall, I thought it was a very good show and was glad I had the opportunity to be there. In addition, I was a speaker taking part in a presentation called "Ten Secrets of Digital Publishing (They Won't Tell You About)", which was given to about 250 people. It was great to see so many folks in the room.
There were several sessions going on simultaneously covering important issues currently facing book publishers such as e-Book formatting, digital printing, social media marketing, etc., bookended by a number of morning and afternoon Keynotes. Some were good, some not-so-good, but each seemed to have one hot topic connecting them in one way or another. And that burning curiosity on the minds of just about everyone there was e-Books, e-Books, e-Books, or more specifically: Enhanced e-Books.
So what exactly is an enhanced e-book? Well, that depends on who you talk to, but generally, it's a reading experience that includes additional bells & whistles such as video, audio, images, and added functionality like the ability to shake, zoom, and more, depending what digital device you're viewing the book on. At the moment, devices using E-Ink technology like the Kindle, Nook, and all Sony Readers, cannot include video. However, these e-readers can display black & white photos, play audio, and also include features like being able to look up the definition of just about any word within the text, which is pretty cool. Obviously you can't do this with a physical book, so even on a basic level, text read on a monochromatic device capable of such a feature is in fact "enhanced." However most, or more likely none, of the titles available from Amazon, B&N, Sony, and others, allow publishers to add things like an exclusive audio of an author reading, or say a photo gallery of locations mentioned in the storyline, which is too bad, because this would emphasize how even reading a book in shades of black can offer more. You can listen to audiobooks on all these devices and the Kindle does use something called text-to-speech technology, but that's not what I'm talking about here. I believe small but effective enhancements like these that don't cost an arm and a leg to incorporate would be appealing to readers and possibly enough to be perceived as adding value.
Don't get me wrong, I'm all for the idea of developing enhanced products like Apps that offer a vast array of multimedia features, but overall, there really isn't any strong proof that the average consumer wants all this extra stuff. Can it be that people just don't realize they want it? Maybe. No-one really knows but we publishers are spending a good amount of cash to find out. There are lots of products available now in the App store produced by companies like Vook, Enhanced Editions, KiwiTech, and many, many others created in conjunction with the publishing house, or in some cases directly with an author, and it's all very interesting to watch. I've been involved in putting together a few Apps: one meant to be a fun, free marketing vehicle, the other a work of fiction by David Morrell called The Spy Who Came for Christmas that includes a book trailer, video interview, audio interview, radio spot, complete audiobook synched with the text, as well as the complete text of an earlier work by the author, all for $15.95, the price of the tradepaper edition. The other I had the pleasure of demonstrating during the TOC conference is called Cathy's Book by Sean Stewart and Jordan Weisman, an intense, content-rich App for teen girls, that's kinda difficult to describe, but here's a video that demonstrates all that it does. And though it's terrific fun and artistically rewarding to work on projects like these, we as publishers need to ask ourselves whether or not the amount of money spent to create books with such interactivity is worth it. In other words...will we make back what we invest?
I can tell you first hand that it takes a tremendous amount of time and effort to make a really great App chock-full of good content. By the time you plan, conceive, gather assets, edit, program, and triple-check your work for quality assurance, 6 to 8 months may have quickly gone by. Plus at the end of all the blood, sweat, and tears there could be a $20K (or more) price tag still to be paid. Honestly, this process has given me pause. And for me the three days I spent at TOC confirmed the most important thing we should do as publishers is to make sure our e-Book files, whether they be .pdf,.ePub, or whatever, are formatted properly, meaning they look as close as possible to the way they do in print. I know of a number of publishers that already take this to heart, but plenty don't, and it's not for lack of concern, but more about lack of awareness. The thing is, if we don't make the basic act of reading digitally a pleasure, why would consumers believe an enhanced version will be any better?
But this isn't easy to do and just thinking about it makes my head hurt.
We're talking about having to focus our efforts on delivering fully formatted files so we know in advance exactly how they will appear on each popular e-reader in the marketplace. We cannot depend on the e-retailers to do this for us. Note I said "popular" e-readers because I've yet to see one person in the real world using a Cool-er, iRex Reader, Alex, or Que, and don't expect to anytime soon, so the immediate need is generally about preparing files for Kindle, Nook, and Sony Reader. But even with just these three main players we're still facing procedures that are extremely time consuming, require additional resources, not to mention production staff members with real editorial sensibilities. Unfortunately sending the exact same .ePub file to B&N (Nook), Sony (Pocket, Touch, Daily Edition), Apple (iPad), isn't going to resolve the issue because each device has it's own way of interpreting the file and most times the text just doesn't look as originally intended. It's enough to make you want to run out of the room screaming! Be that as it may, we have no choice but to address this head on if we expect to build a new digital future for books, whether the landscape be dynamic or monochromatic.
I mentioned the iPad and as you might imagine it was the reading gadget that most everyone wanted to talk about at TOC simply because of all the amazing things publishers are expecting it to do. And with the promise of this incredible tablet looming, one presentation given by inventor, futurist, and author Ray Kurzweil, that really resonated was all about Blio, an eReader software program that displays books three dimensionally and with plenty of enhancements (if desired). But even sans multimedia, this 3D experience developed by the author of The Age of Spiritual Machines, is sure to look great on all tablet computers and may end being one of the best ways to present enhanced e-Books, since Blio can also be used on desktop computers, laptops/netbooks, and mobile devices like the iPhone. Keep your eye on this. It's poised to get a tremendous amount of attention by consumers and the academic community.
I could go on and on and will be revisiting this topic, but in summing up:
1. Publishers need to make sure "straight" (aka vanilla) text e-Book files are properly formatted for ALL e-readers.
2. With great "vanilla" e-Books we can then begin to explore pushing the boundaries of E-Ink devices.
3. Leave the bells & whistles like video, audio, graphics, etc., for Apps and channels like Blio and Zinio.
What do you think?
P.S. - There's another great industry conference that took place this past January called Digital Book World, and if you haven't heard of it, then I recommend you check it out. Much of the above was covered there as well, plus I had the pleasure of being a guest panelist to discuss the ins and outs of online marketing.
There were several sessions going on simultaneously covering important issues currently facing book publishers such as e-Book formatting, digital printing, social media marketing, etc., bookended by a number of morning and afternoon Keynotes. Some were good, some not-so-good, but each seemed to have one hot topic connecting them in one way or another. And that burning curiosity on the minds of just about everyone there was e-Books, e-Books, e-Books, or more specifically: Enhanced e-Books.
So what exactly is an enhanced e-book? Well, that depends on who you talk to, but generally, it's a reading experience that includes additional bells & whistles such as video, audio, images, and added functionality like the ability to shake, zoom, and more, depending what digital device you're viewing the book on. At the moment, devices using E-Ink technology like the Kindle, Nook, and all Sony Readers, cannot include video. However, these e-readers can display black & white photos, play audio, and also include features like being able to look up the definition of just about any word within the text, which is pretty cool. Obviously you can't do this with a physical book, so even on a basic level, text read on a monochromatic device capable of such a feature is in fact "enhanced." However most, or more likely none, of the titles available from Amazon, B&N, Sony, and others, allow publishers to add things like an exclusive audio of an author reading, or say a photo gallery of locations mentioned in the storyline, which is too bad, because this would emphasize how even reading a book in shades of black can offer more. You can listen to audiobooks on all these devices and the Kindle does use something called text-to-speech technology, but that's not what I'm talking about here. I believe small but effective enhancements like these that don't cost an arm and a leg to incorporate would be appealing to readers and possibly enough to be perceived as adding value.
Don't get me wrong, I'm all for the idea of developing enhanced products like Apps that offer a vast array of multimedia features, but overall, there really isn't any strong proof that the average consumer wants all this extra stuff. Can it be that people just don't realize they want it? Maybe. No-one really knows but we publishers are spending a good amount of cash to find out. There are lots of products available now in the App store produced by companies like Vook, Enhanced Editions, KiwiTech, and many, many others created in conjunction with the publishing house, or in some cases directly with an author, and it's all very interesting to watch. I've been involved in putting together a few Apps: one meant to be a fun, free marketing vehicle, the other a work of fiction by David Morrell called The Spy Who Came for Christmas that includes a book trailer, video interview, audio interview, radio spot, complete audiobook synched with the text, as well as the complete text of an earlier work by the author, all for $15.95, the price of the tradepaper edition. The other I had the pleasure of demonstrating during the TOC conference is called Cathy's Book by Sean Stewart and Jordan Weisman, an intense, content-rich App for teen girls, that's kinda difficult to describe, but here's a video that demonstrates all that it does. And though it's terrific fun and artistically rewarding to work on projects like these, we as publishers need to ask ourselves whether or not the amount of money spent to create books with such interactivity is worth it. In other words...will we make back what we invest?
I can tell you first hand that it takes a tremendous amount of time and effort to make a really great App chock-full of good content. By the time you plan, conceive, gather assets, edit, program, and triple-check your work for quality assurance, 6 to 8 months may have quickly gone by. Plus at the end of all the blood, sweat, and tears there could be a $20K (or more) price tag still to be paid. Honestly, this process has given me pause. And for me the three days I spent at TOC confirmed the most important thing we should do as publishers is to make sure our e-Book files, whether they be .pdf,.ePub, or whatever, are formatted properly, meaning they look as close as possible to the way they do in print. I know of a number of publishers that already take this to heart, but plenty don't, and it's not for lack of concern, but more about lack of awareness. The thing is, if we don't make the basic act of reading digitally a pleasure, why would consumers believe an enhanced version will be any better?
But this isn't easy to do and just thinking about it makes my head hurt.
We're talking about having to focus our efforts on delivering fully formatted files so we know in advance exactly how they will appear on each popular e-reader in the marketplace. We cannot depend on the e-retailers to do this for us. Note I said "popular" e-readers because I've yet to see one person in the real world using a Cool-er, iRex Reader, Alex, or Que, and don't expect to anytime soon, so the immediate need is generally about preparing files for Kindle, Nook, and Sony Reader. But even with just these three main players we're still facing procedures that are extremely time consuming, require additional resources, not to mention production staff members with real editorial sensibilities. Unfortunately sending the exact same .ePub file to B&N (Nook), Sony (Pocket, Touch, Daily Edition), Apple (iPad), isn't going to resolve the issue because each device has it's own way of interpreting the file and most times the text just doesn't look as originally intended. It's enough to make you want to run out of the room screaming! Be that as it may, we have no choice but to address this head on if we expect to build a new digital future for books, whether the landscape be dynamic or monochromatic.
I mentioned the iPad and as you might imagine it was the reading gadget that most everyone wanted to talk about at TOC simply because of all the amazing things publishers are expecting it to do. And with the promise of this incredible tablet looming, one presentation given by inventor, futurist, and author Ray Kurzweil, that really resonated was all about Blio, an eReader software program that displays books three dimensionally and with plenty of enhancements (if desired). But even sans multimedia, this 3D experience developed by the author of The Age of Spiritual Machines, is sure to look great on all tablet computers and may end being one of the best ways to present enhanced e-Books, since Blio can also be used on desktop computers, laptops/netbooks, and mobile devices like the iPhone. Keep your eye on this. It's poised to get a tremendous amount of attention by consumers and the academic community.
I could go on and on and will be revisiting this topic, but in summing up:
1. Publishers need to make sure "straight" (aka vanilla) text e-Book files are properly formatted for ALL e-readers.
2. With great "vanilla" e-Books we can then begin to explore pushing the boundaries of E-Ink devices.
3. Leave the bells & whistles like video, audio, graphics, etc., for Apps and channels like Blio and Zinio.
What do you think?
P.S. - There's another great industry conference that took place this past January called Digital Book World, and if you haven't heard of it, then I recommend you check it out. Much of the above was covered there as well, plus I had the pleasure of being a guest panelist to discuss the ins and outs of online marketing.
Subscribe to:
Posts (Atom)
Posts
